The Hero

For the masculine imagination, life is an unending struggle of the self and the enemy, wherein one has devotion to their own father, constantly under threat and attack from whatever outside has been constructed. The male pathology is this eternal struggle, an attempt to “fix” the world, to make it match the pre-existing text which is of the Fathers. The male eternally desires a return to the Father and the most intelligent men, those who fully recognize their own nature, return to the Father in mysticism and annihilation, the destruction of the world and the mind in meditation and warfare. Recognizing that what is true to him is something which is forever separate from the world, and recognizing that this something is an animalistic, edenic state, he seeks to both purge the world from himself, and destroy the world. Such is the instinct of Codreanu’s legionnaires and Mishima Yukio’s ritual suicide, where he first proved to himself the impurity of the world in his gesture at a coup, before sacrificing himself to his own ideals in his seppuku backstage.

The masculine is not alone however and his inventions of society creates a new class of people, birthed from what he has created. The father has his offspring, which is woman. Woman is the peoples who are birthed into the society already created, part of the established order, and live off it as parasites and secondary producers, the sucking hole into which the resources of the males kept in slavery produce and gather, taking them to the metropolis for the effete craftsmen to shape, for the women to wear as baubles, for the children to consume, for the aristocrats and creatives to make into works of opulent art, all of these individuals are women. It is here that the masculinization process is so vital to those who are easily capable of degenerating themselves to become masculine again (ie, those people who are not born biologically female, homosexual, transgender, etc), where organizations like the military and sporting step in, to help men achieve their desires to become animal, to find not only the Father, but the wellspring from which the Father emerged, the unconscious and animal.

The role of women, is something which he could not live without and is something which naturally emerges from any societal organization at all. Women emerge in order to make the society exists at all, as women are that which puts people together. From the masculine animal, goes inputs, into some machinery which is female, that machinery being the linguistic, cultural, technological, secondary production which creates the vast mediatory apparatuses that make society work. Woman is a political position, one which is the position of language, art, culture, technology, etc, all of that which only emerges when there is a surplus created by an enslaved masculine-animal.

Men are therefore in a constant state of fear towards women. Not only are women themselves the mysterious thing that the masculine inputs into, that the masculine’s father inputs into, but women, by being communicative have no special allegiance to the father that is not forced or coerced in some way. Additionally, being in an alien plane of linguistic production, women are constantly mutating and evolving, changing and moving beyond what men are or what men can control. To the father, women are eternally in danger of being traitorous, if not already traitorous, as their betrayal is the very living of women, through the creation of art and culture which mutate and deviate beyond the father.

It is from this fear that men’s identity is built upon attempting to return to the Father by recommitting his sins. The purity of the Father is sublime and can only be found by perpetual action. In recent years, fantasies have exploded of a return to Modernism, a glorification of the perceived years of the Father in the Revolutions and World Wars when Men of Action could make their mark. Masculinity requires this, Action, a narrative from the Father (the Epic, the Myth) with which to guide his actions free of any feminine thoughts or emotions, in order to continually be within the sublime Father.